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How CRSSD Festival is using synths to transform electronic music fans into producers
“Nothing gets done without it”: Voigtmann’s MPC1000 is the “heart of his workflow”
Native Instruments: “We had to modernise our architecture… We’re now more aligned in new ways to integrate our hardware and software”
“I like to find weird stuff that’s mad rare”: Inside Carter Lang’s overflowing hardware haven
“It was the most fun I’ve ever had in the studio”: Tobtok teams up with farfetch’d for a friend-centred EP
Caravel makes devastating techno using reFX’s “flawless” Nexus4 plugin
“Reason’s competition is actually Netflix and Steam”: CEO Niklas Agevik sees Reason as more than just a DAW
How the Korg MS-20 and the MS-20 Mini became a parent-child powerhouse
Mykki Blanco and Falty DL: “It’s hard to describe the most important collaborative relationship we’ve ever had”
Murlo’s desert island music tool? “A field recorder and a bunch of batteries”
AFROJACK: “It’s possible to achieve success in the music industry if you abide by certain disciplines and rules”
James Blake’s Alexandra Palace show was a live electronic masterclass
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