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Union Audio’s Elara.4 is a small window into Andy Rigby-Jones’ legendary career in DJ mixer design
Kenya Grace is leading the next generation of bedroom producers: “If you can use a DAW, you can do anything you want”
Is Pioneer DJ’s PLX-CRSS12 turntable really a “game-changer” for vinyl and digital DJs?
Barry Can’t Swim: “Producers can often overthink – I’m at my best and most creative when I’m underthinking”
Native Instruments: “We had to modernise our architecture… We’re now more aligned in new ways to integrate our hardware and software”
AFROJACK: “It’s possible to achieve success in the music industry if you abide by certain disciplines and rules”
The Scarlett 4th Gen story: Focusrite’s journey from George Martin’s AIR to bedroom studios everywhere
Mac DeMarco: “I like to respect the way that recordings come to be”
IK Multimedia’s UNO Synth Pro X is what the synth community deserved from the start
The Importance Of Being Loud: Ohma is here to change the microphone as you know it
Light Place, Right Time: LP Giobbi is a beacon for budding artists
The music production industry has a gender problem – here’s how we can fix it
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